Thursday, January 28, 2016

Book Review: Afta-U by Jennifer-Lynn Keniston


About Afta-U:

Michael’s smile broadened. “It seems you’re surprised to see me, Jean. Don’t tell me you thought that they’d leave an eleven-year-old boy locked away forever.”

Twenty-nine years after the tragic death of her childhood best friend, Hope, Jean Cartwright Rhodes returns to her hometown with her husband and daughter after she inherits the house her friend’s family once lived in. Now, years later, she finds herself haunted by a dark truth – and by the specter of Hope herself.

Every time Jean looks through her kitchen window, she sees two stark reminders of her troubled past; the Afta-U sailboat, ironically named after young Hope, and the old oak tree where her eleven-year-old friend met her death at the hands of another child.

Afta-U unfolds as a psychological chess match, a complex web of intrigue, unexpected relationships, lies, and devastating secrets as Jean stuggles with the impact of decisions she made long ago on all the lives around her. When Jean confronts and tries to come to grips with Hope’s killer, she finds herself waging a personal battle between madness and redemption.

Jennifer-Lynn Keniston:
Raised in Hanson, Massachusetts, the author earned a Master of Arts degree in English, from Bridgewater State College in Massachusetts, and a Bachelor of Arts degree in English, with a concentration in writing and a minor in philosophy, from Plymouth State College in New Hampshire. Jennifer-Lynn currently works as a project manager for a company that provides cloud software products for call centers at small, medium, and enterprise companies. In April 2014, she started her own business, Ansel Resume Resolution Services LLC, writing resumes and cover letters. She now lives and writes in Concord, New Hampshire, and enjoys teaching Spinning classes in her free time.


Review:

It’s amazing sometimes what the heart and soul can endure, and the characters in the novel Afta-U are definitely a testament to that. When the main character, Jean, moves into her best friend’s childhood home, she wants to feel connected to the innocence of her early years and the good memories of Hope, her best friend who tragically died at the age of eleven. Unfortunately, it doesn’t turn out that way.

As a parent, reading the details of Hope’s death was terrifying, especially seeing how quickly something meant to be a game can spiral out of control. The memory of that event is something Jean buried deep within herself and never truly confronted. But now she’s sharing Hope’s childhood home with the ghost of Hope herself, a solemn figure who doesn’t speak.

Constant reminders of you swirled around me every day. I could hear your laugh in the physical walls of my current house and the land itself, haunting echoes of my childhood memories of you.

The paragraph above is an example of how Jennifer-Lynn Keniston’s lyrical prose draws the reader in from the opening pages, along with the use of symbolism and the complex and often complicated nature of human relationships. The characterization is also excellent—I loved the character of Nick, Jean’s husband, and I loathed the two villans, Damian and Michael.

I think many of us can relate to the feeling of being overwhelmed by a traumatic event in our lives, and how it can make you want give up and stop fighting, even if just for a little while. Afta-U is a heartbreaking tale of the loss of childhood innocence, and how the emotional scars can find a way to resurface no matter how much time has passed. But it’s also a testament to how a person can heal if they can hold on to their faith and have a strong support system to lean on.

As a bonus, the author is also a talented poet, and poems that add depth to the story are interspersed throughout the novel:

Autumn
Red flames danced
As the white envelope
With black penned ink fell
Trying to silence the voice whose story it was to tell
A lamb’s choice breathes air to the fire below
Shifting from shielded innocence
To the heavy stature of a lioness
Defining a choice and one’s free will
The catcher of lost souls
A saddened sparrow weeps

As colored beach sand and tears freely flow

Learn more about the inspiration behind the book in this interview at WOW! Women on Writing.

Monday, January 25, 2016

Book Review: The Romance Diet by Destiny Allison

I love it when a book helps me discover something about myself that I need to work on. That’s what happened when I picked up The Romance Diet as part of Destiny Allison's blog tour with WOW! Women on Writing. 

Brave, raw, and unflinchingly honest, this book is a weight loss journey, a love story, a heart beating loudly on the page. Every day we battle against something--injustice, our spouses, our weight. Seldom do we acknowledge the real wars we wage. Repressing feelings and silencing our voices, we suffer under the surface, attributing emotional distress and unwanted pounds to the inescapable effects of hormones or age.

But weight gain, anxiety, and marital difficulties aren't always so easy to explain.

In her poignant and touching memoir, Allison doesn't offer recipes, exercise tips, or advice. Instead, she shows us how to stand up, express what we want, and develop empathy for ourselves and the people we love. In doing so, she provides invaluable insight for those seeking to lose weight, save a marriage, or make a significant life change.

Includes a Readers Guide.

Review:

The Romance Diet is so much more than I expected. There are many people who could benefit from reading this book—couples who need help communicating with each other, people who are longing to have a more healthy relationship with food and exercise, those who are still dealing with the long-term effects of a traumatic incident in their lives, women who need help asserting their independence . . . the list goes on and on.

The book begins with Destiny’s realization that the injury that caused her to stop working as a metal sculptor also caused her to gain a significant amount of weight, and her husband Steve was along for the ride. Their love of rich, decadent food grows out of control until Destiny decides they need to take the first step towards making a healthy, positive change. Little does she know other things in her life would unravel because of it.


There’s a part of the book where Steve repeatedly tells Destiny that she’s sexy. She grows frustrated and longs to tell him that she’s not just a body—but a smart and capable businesswoman, artist, a writer. Reading her story brought back feelings and resentments that are buried within me as well. I too long to be complimented for my accomplishments by my spouse—and don’t get me wrong—he does do that, but he also says things like “oh they want to hire you because they’ve seen your picture,” or “you can’t expect to make too much money because you haven’t spent time climbing the corporate ladder.” Statements like that burrow deep inside me until they erupt in a resentful tirade because I grow tired of feeling disrespected. After reading The Romance Diet, I’ve started speaking up more and simply telling my husband how I feel when he makes those comments, whether he means any harm by them or not.

I’d like to point out that The Romance Diet is creative non-fiction at its finest. Destiny has a way with words that find you savoring each page and wondering what’s to come next.

Weeds intertwined with lavender stems in my neglected garden. A stinkbug meandered across a flagstone step. Like the aspen leaves on our sole surviving tree, I felt limp and colorless.

Or:

Too fat, too thin, just average. Long hair, short hair, high cheekbones, no cheekbones. Pear shaped, card shaped, hourglass. Big breasts, flat chests, the spread of hips. Like most women, I asked "Am I good enough?" a thousand ways each day.  

About the Author:
Destiny Allison was a professional and award-winning sculptor. Her work is collected by individuals, civic entities, and corporations worldwide. When an injury required her to re-envision her life, Allison did what she always does. She applied her explosive creativity and dog-with-a-bone tenacity to new endeavors.

In 2011 she was named Santa Fe Business Woman of the Year. Her community building efforts and innovative business model transformed a bankrupt shopping center into a thriving community and commercial center.

In 2012 she published her first book, Shaping Destiny: A quest for meaning in art and life. The book won best independent non-fiction/memoir in the 2013 Global Book Awards.

Since then, she has published two novels and opened a general store.

Allison believes that one’s life is one’s greatest work of art. Hence, she flows freely between mediums. Unafraid to make mistakes and always passionate, she lives in Santa Fe, NM.

More info at: www.destinyallisonbooks.com,
Facebook: Destiny Allison Books
Twitter: sfsculptor

Purchase Link:

Learn more about the inspiration behind this book in this interview at WOW! Women on Writing.

Friday, January 15, 2016

Chicken Soup for (This Writer's) Soul

Everyone needs a go-to comfort food. I have quite a few--homemade macaroni and cheese, chicken and dumplings, pizza, anything chocolate . . . the list goes on and on, really. When you work from home, it's not unusual to look up at 5:30 or 6 p.m. and wonder where in the world the afternoon went. As I rummaged around my pantry last night in search of something somewhat healthy to make for a quick dinner, I had an idea. I would try to make my own version of a childhood favorite dinner--the Campbell's Soup Chicken and Stars. It turned out great, the family cleaned their bowls, and I felt good having served up a delicious and low-cal dinner.


I posted a photo on Facebook and a few of my friends asked for the recipe. Here's what I gave them:

Ingredients: 
Two or three small chicken breasts
Two tbsp. olive oil
Four cups of water
32-oz. container of chicken broth
Three small carrots, peeled and diced
One clove of garlic
One cup of Simply Balanced Organic Stelline Pasta
Salt and pepper

Instructions: Dice the chicken and saute it with the olive oil and garlic until cooked through. In a separate medium-sized pot, bring the carrots to boil in the four cups of water. Add one cup of the pasta the container of chicken broth. One the carrots are soft and the pasta is cooked, add in the chicken and whatever seasoning you prefer. I like to add about one teaspoon of the 21 Season Salute from Trader Joe's to give it a little extra kick. Makes about six to seven small servings. Serve and enjoy!

Wednesday, November 18, 2015

Tips on How to Pitch Magazines Successfully

I had the honor of taking part in a panel discussion last night in Charlotte, courtesy of the local chapter of the Women's National Book Association-Charlotte (WNBA) and the Charlotte Writers' Club. I have to admit I was nervous about presenting on the topic of how to make money writing for magazines, but once I began writing down my talking points I realized I have a learned a thing or two  about magazine publishing over the years. The audience couldn't have been more attentive, and they had some great questions for all the panelists, which included Karon Luddy, Alice Osborn and Mica Gadhia. One thing I regretted was that I didn't have time to make copies of a handout. So, for anyone that was at the panel and missed any of the "Do's and Don't of Pitching Magazines," I've included them below:

Do's and Don'ts of Pitching Magazines

Don’t send out scattershot query letters. Meaning, don’t write up one query letter and send out to multiple magazine editors at once. Editors are much more likely to consider you for an assignment if you are familiar with the magazine you’re pitching and make your query personalized. Spend a little time skimming through some recent issues of the publication, and get a feel for how it is laid out. Mention recent published articles that you connected with to show your familiarity.

Do have an interesting lede (or hook)
pertaining to your article topic that illustrates why it would make a good piece for a magazine. You only have a few seconds to catch an editor’s eye. Make them count.

Do pitch different types of magazines, both big and small.
It’s a great experience, and over time, you’ll become more comfortable crafting your ideas and hitting the send button.

Don’t send your ideas to the wrong person. Study the masthead of the magazine you are hoping to query. Publishers typically focus on the sales side of a magazine and aren’t really connected to the editorial side. Your best bet is to address your query to a specific editor.

Do pick up a copy of the latest version of The Writer’s Market.
You will find listings of magazines you never even knew existed, including editorial contact names, pay rates, and what types of articles specific markets are seeking.

Happy writing and querying, everyone!

From left to right: Karon Luddy, Alice Osborn, Me, Mica Gadhia

Monday, October 26, 2015

Book Review: Last Night at the Viper Room


I have to admit that in my teens, I was an adoring fan of actor River Phoenix. "Stand By Me" continues to be one of my favorite movies of all time. I knew vaguely of Phoenix's background--that his parents had been "hippies" and he and his siblings lived in a commune for a while, and he didn't eat meat. Beyond that, I guess you could say I knew what he and his management allowed the public to know. I do know I was devastated (and shocked) when I learned of his death by drug overdose during my senior year of high school.

There was a lot we had no idea about. Times were different in the late 1980s/early 1990s. There weren't blogs to around to share the dirty little secrets of celebrities, and paparazzi didn't seem quite as aggressive as they do now. A few months ago I came across a show on the Reelz channel called "Autopsy: The Last Hours of River Phoenix." I was drawn in immediately. I think what struck me the most was that River didn't have to die in the early morning hours of Oct. 31, 1993 at the Viper Room in Hollywood. By all accounts he had been clean during the filming of his last movie, "Dark Blood," and decided to let loose that night. He had marijuana, valium, cocaine, and pseudoephedrine in his system (he was nursing a bad cold). He went to the Viper Room in the hopes of jamming on stage with Johnny Depp and Flea from the Red Hot Chili Peppers. The stage was too crowded and they couldn't let him perform. Even though he wasn't consuming alcohol that night, at some point he ingested a speedball (mixture of cocaine and heroine) in a liquid form. It was too much for his body to handle. Even though the nearest hospital was only a mile away, the group he was with didn't want anyone to know he was on drugs, so they sat with him as he more violently ill. No one called 911 until he started seizing, and by the time the paramedics reached the club it was too late.

One of the people interview for the Reelz program was Gavin Edwards, author of Last Night at the Viper Room: River Phoenix and the Hollywood He Left Behind. I found the book at the library a few days ago and picked it up. Edwards is a contributing editor for Rolling Stone and has also written for Details, Spin, and the New York Times Magazine. The book follows the life of Phoenix (born River Jude Bottom), from his humble early beginnings living with the questionable Children of God cult (which encouraged free love, even among young children) to his family's decision to have their children seek fame and fortune in Hollywood. I love how the book is structured--it reads like one long magazine article, featuring interviews from actors/directors Phoenix worked and pulling from previous media interviews. I learned so much reading this book, and it was heartbreaking. Phoenix never had a proper education, and he had trouble relating to kids his own age because he had not spent a lot of time with them in normal social settings. He most likely had dyslexia. His first love was music. He desperately wanted to be a musician, but acting did a better job of paying the bills. His work supported his entire family--he was the breadwinner. Although he talked about being "anti-drugs" in media interviews (he was also a devout vegan), he was first exposed to drug and alcohol use in his preteens on various movie sets.

The other thing I found interesting about Last Night at the Viper Room was how the author also wove in a timeline of other up and coming young actors in Hollywood (Johnny Depp, Leonardo DiCaprio, Tom Cruise, Brad Pitt, etc.) and what was happening in their careers as Phoenix's career progressed. For a pop culture junkie such as myself, this was just a bonus.

If he had been given medical attention earlier in the evening of Oct. 30, Phoenix might not have died that night. But with the downward spiral he was on, we can't really say if he would have lived any longer. Reading this book helped me understand how such a talented young actor could have become overwhelmed and led down the path he ended up on. I couldn't put this book down until I finished it, and then my heart hurt for a very long time afterward.

Wednesday, September 30, 2015

Guest Post by Jadie Jones: The Three E’s of Romance and Relationships in YA

Today I'm pleased to welcome author Jadies Jones, in support of her blog tour for The Moonlit Trilogy. As an avid YA reader and aspiring YA novelist myself, I knew her post on romance and relationships in young adult literature would be a great read--and she didn't disappoint. Read Jadie's post below and see how you can win your own copy of the first book in the trilogy!

The Three E's of Romance of and Relationships in YA
By Jadie Jones

As we all know, romance and relationships can get really, really messy. This mess becomes even more tangled when you add a third party in the mix, and in the case of young adult fictional relationships, the third party is the reader. Our emotions respond to these characters as we begin to invest and trust in them. We have expectations for how the relationship will unfold, and how fast. And our environment shapes what we deem acceptable for these two fictional love birds as their romance progresses.

Do writers owe readers a protected, empowering, literary-romance experience? I don’t think so. But I do think we writers owe readers reality, and that we have a responsibility to make our characters truly, utterly responsible for the choices they make, even when it’s not pretty.

Emotions: While it’s a controversial subject, I cast my vote in the belief of infatuation at first sight, especially for teen characters. As adults, we can look at these doe-eyed situations and roll our been-there-seen-that eyes all we want, but I well remember walking into third period graphics arts on the first day of my freshman year in college, and spotting a blond haired, ice-blue eyed boy with a dimple in each cheek and a grin that lit up the room. I remember nothing else about that day.

Teen characters are experiencing these emotions for the first time, and, on the cusp of adulthood, coming to a budding understanding that the actions we take and the relationships we make have the potential to affect our lives forward for a very long time. I know that from that day forward for the rest of the semester, my heart sped up on the walk from the cafeteria to graphic arts. And I remember the one time he stopped by my desk to compliment me on a project (I have no idea what I’d made.)

I also remember the gnawing stress of guilt when, in my senior year, my religion and my first serious relationship were at a crossroads. I remember feeling suffocated by either option. The relationship didn’t survive the weight, and it took me a long time to be able to sift through the debris with any real perspective. As these fictional characters come to similar moments on their romantic journeys, it is imperative a writer explores the internal consequences, both positive and negative, of choices made.

Expectations: The “expectation” factor applies particularly to the timing in a YA relationship. Our protagonist experiences an initial flutter of emotion in the presence of the will-be-love-interest. In our minds, we have an expectation as to what comes next, and how quickly. How long before a first kiss? Do we expect the love to make our protagonist more or less impulsive? Do we expect them to never make mistakes? To never hurt each other? Do we expect a literary romance to run a perfect course? And what the heck is “perfect,” anyway?

The idea of “perfect” is different for all of us. A good friend of mine expected guys she dated to coordinate their outfits for nights on the town. That’s about as far from my perfect as you can get. Another friend of mine expected her boyfriend to propose on Christmas in front of her entire family. That sounds absolutely horrifying to me. We bring these experiences with us into the first page of a new book, which shapes what we expect from the characters therein. The author is bringing his/her own experiences and expectations to the same dynamic, turning the triangle into a square.

Environment: External pressures and reactions also have a big impact on relationships both fictional and in real life. How do the people closest to you or the main character feel about the relationship itself and/or the decisions the protagonist makes because of the relationship? I saw a great video about how the six people you spend the most time with will begin to impact what you deem acceptable, and I believe this to be absolutely true. So who does the protagonist hang out with, and how does this environment respond with the introduction of the love interest? What advice do his/her besties offer? How does the advice make the character feel? How does the protagonist’s home life/relationship with parents/etc. affect the boundaries or lack thereof in regards to the romance?

Outside stress can also fast-track the timing of a relationship. Suddenly each moment seems more critical, something you have to grab out of the air before it flies away. This mirrors itself in real life. Take my grandparents, for example, who met in the throes of World War 2. Days after they met, they were engaged. They married months later. My Nana would’ve had it sooner. She and my grandfather went to the local court house and tried to convince the judge she was 18, but the judge wasn’t having any of it. He deployed soon after they married, and I imagine each moment they had together, in person and through letters, was like a fire consuming everything in its path, burning the oxygen from the air. And typically, a protagonists and/or his/her world is experiencing some kind of new external stress in some way, or there wouldn’t be much of a story.

Throughout my life, books have been where I go when I don’t want to feel alone. I find solace in characters who have had similar thoughts/experiences/conflicts/yearnings. So now, as a writer, I want to give readers characters who will sit down with them and hold their hand and be quiet and be still, so that for just a moment, that reader knows someone else out there gets it; someone else out there went through it and made it to the other side. And I do believe we owe our readers a realistic look at the entire journey.

About the Author:
Jadie Jones wrote her first book in seventh grade, filling one hundred and four pages of a black and white Mead notebook. Back then she lived for two things: horses and R.L. Stine books. Fast forward nearly twenty years, and she still work with horses. It’s amazing how much changes... and how much stays the same.

The dream of publishing a novel has hitchhiked with Jadie down every other path she‘s taken (and there have been many). Waitress, farm manager, road manager, bank teller, speech writer, retail, and more. But that need to bring pen to paper refused to quiet. Finally, in 2009, she sat down, pulled out a brand new notebook, and once again let the pictures in my head become words on paper.

Confession time: Jadie Jones is a pen name created to honor two fantastic women who didn't get the chance to live out their professional dreams. First, Jadie’s grandmother - a mother of four during post World War II America, who wanted to be a journalist so bad that even now when she talks about it, her blue eyes mist and she lifts her chin in silent speculation. And second, a dear friend's mother who left this world entirely too soon. To Judy Dawn and Shirley Jones, Jadie Jones is for you. It's been a pleasure getting to know her.

Jadie Jones Online:



Moonlit is the story of eighteen-year-old Tanzy Hightower knows horses, has grown up with them on Wildwood Farm. She also knows not to venture beyond the trees that line the pasture. Things happen out there that can't be explained. Or undone. Worse, no one but she and the horses can see what lurks in the shadows of the woods. When a moonlit ride turns into a terrifying chase, Tanzy is left to question everything, from the freak accident that killed her father to the very blood in her veins. Broken and confused, she turns to Lucas, a scarred, beautiful stranger, and to Vanessa, a charming new friend who has everything Tanzy doesn't. But why do they seem to know more about her than she knows herself?



Book One: Moonlit
Paperback: 310 pages
Publisher: WiDo Publishing (April 16, 2013)
ISBN-10: 1937178331
ISBN-13: 978-1937178338

Tanzy's journey continues in Windswept, the second installment of the Moonlit Trilogy when Tanzy is the key in an ancient prophecy pivotal to the existence of all beings, both Seen and Unseen. Unseen who have waited a millennium for her birth are relentless in their efforts to see the prophecy fulfilled--whether for good or evil, depending on which side of the conflict one stands. Others have sworn an oath to end Tanzy's existence, permanently. Already, Tanzy's body has been compromised by her enemies, her veins now home to the blood of a wild horse whose instincts are becoming impossible to control. While Tanzy's Unseen enemies work to draw her out of a remote safe house, her friends beg her to stay in hiding. Tanzy is torn, wanting to reunite with Lucas, who has loved her since her first incarnation, yet unsure whether fulfilling the ancient prophecy will protect those she loves or destroy them.



Book Two: Windswept
Paperback: 289 pages
Publisher: WiDo Publishing (July 8, 2014)
ISBN-10: 1937178536
ISBN-13: 978-1937178536




In Wildwood, the third book of the Moonlit Trilogy, Tanzy's journey races toward a final battle within the Unseen. Tanzy Hightower has crossed the veil and entered the Unseen world to fulfill the destiny she has at last embraced, to either seal or destroy the veil between the Seen and Unseen worlds. She is the only mortal in a land teeming with creatures who want her dead. To stay alive long enough to stop Asher, the most powerful of the Unseen, Tanzy accepts his marriage proposal and seeks refuge inside his palace. On the Seen side of the veil, Tanzy's allies are fragmented and lost, without leadership. They must gather forces and train an army of candidates to defend their world against unfathomable predators poised to strike should the veil holding them at bay dissolve. While Tanzy has accepted her own inevitable death in fulfilling her destiny, her closest friends refuse to stop searching for the impossible: a way to save Tanzy's life.


Book Three: Wildwood
Paperback: 312 pages
Publisher: WiDo Publishing (September 22, 2015)
ISBN-10: 1937178706
ISBN-13: 978-1937178703

Win your own copy of the book that started it all, Moonlit! Enter the Rafflecopter form below. Good luck, and thanks for stopping by!